“My favorite things in life don’t cost any money. It’s really clear that the most precious resource we all have is time”. – Steve Jobs
Time seems to go by in the blink of an eye. It seems like just yesterday I was a child playing in the sun. The next blink I was graduating high school and off to college. Another blink I landed my first job, and then was married, had children and turned 43. It took a whirlwind weekend in New York to realize how insanely fast life is going and how time never seems to slow down.
I was out dancing with some of my dearest friends from the social good blogging world to Cyndi Lauper’s Girls Just Wanna Have Fun and it struck me how long it had been since I’d heard that song and furthermore how much longer it had been since I let go and danced. It frightened me.
Life is a series of natural and spontaneous changes. Don’t resist them; that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like. ― Lao Tzu
As I prepare to head out to NYC tomorrow to attend my fourth Social Good Summit (#2030NOW) I could not help but wonder about what kind of world I’d like to see in 2030. As 193 global leaders meet at the United Nations General Assembly this week and commit on the 17 new Sustainable Development Goals (SDGs) that will guide our planet for the next several years, there is no time more important than today to think about the change we want to see in the world.
The three main areas that the bold new SDGs address include ending extreme poverty, eliminating injustice and inequality and climate change. For me, I am honestly hoping that the world does something to change the future of half our planet – the future for women and girls – who continue to suffer the most from injustice, inequality and poverty.
Why? Because women and girls are critical to transforming the future. Without them, we are missing a huge transformative, powerful piece of the puzzle. In honor of women and girls, I look forward to attending the Social Good Summit (#2030NOW) and live reporting via twitter (@thirdeyemom). It will certainly be an exciting few days!
The photos below were all taken in June 2014 in Ethiopia during a two-week reporting trip on maternal and newborn health with the International Reporting Project. These woman and girls remind me of the personal commitment I have made to helping change the world to the way I want it to be.
Maternal and Newborn Mortality rates in developing countries are improving but not fast enough. Education is lacking as are opportunities for women and girls to start business, have a career and improve their lives. We face a critical moment in time when we can change the direction of their paths and make the world a better place for all, no matter where you live, what language you speak, how much money you have or what religion you practice. No matter if you are a man or a woman, a girl or a boy. It is up to us. Continue reading →
The ongoing refugee crisis hitting Europe is the worst refugee crisis we have since WWII. Although the majority of refugees are coming from war-torn Syria, others are seeking refuge in Europe from Afghanistan, Iraq, Sub-Saharan Africa and other conflict areas. It is a highly complicated, chaotic emergency situation that often leads people to feel overwhelmed, confused and unsure of what to do to help.
On a personal level, I have wanted to write about the crisis but had no idea where to start. I contacted Save the Children and obtained an exclusive interview with Francine Uenuma, Save the Children’s Spokesperson for Disaster and Humanitarian Emergencies to get a firsthand account of what is happening on the ground and how Save the Children is working to help out. Here is her story.
A man carrying his little boy on his shoulders, a backpack on his back, another backpack on one arm, and a bag in the other, waits for some people down the path towards Croatia. Photo credit: Stuart Sia/Save the Children
“Our decision to give back is at the heart of our business. We are the first marketplace of social goods that also donates to charity. Giving 10 percent of our total sales to a reputable non-profit each week blurs the line between for-profit and non-profit, and we believe that is the future of commerce.” – Co-Founder Lindsay Byers-Hirth.
Earlier this month two sisters, Lindsay Byers-Hirth and Kelli Byers fulfilled a shared dream by launching their new socially conscious company Society B. Society B curates the best, socially conscious products available today and sells them to consumers online while also giving back 10% of its sales to a new charity of the week, every week. The selection of products are beautiful and carefully chosen after extensive research to ensure that the products are either fair trade or give back and does good to a specific cause. This cuts out the tedious research for consumers and allows them to easily do good.
I had the opportunity to chat with one of the founders, Lindsay Byers-Hirth this week to learn more about the inspiration behind Society B and what differentiates Society B from other online for profit social enterprises. Here is what Lindsay had to say.
Me: What inspired you and your sister, two working moms, to start Society B?
Lindsay: In early 2000, while attending Iowa State University Kelli and I were both very engaged in charity and the spirit of giving back. We talked often about how wonderful it would be if we could create products to give back to charity. But realistically we didn’t have the time or the money. We held on to our dreams while starting a family and career in different states. Then, last Christmas Kelli and I were both home talking about our corporate jobs and how we both wish we had a better sense of purpose in our work. We were brainstorming ways to create something that would do good when we literally stumbled upon it. We were shopping in Fayetteville, Arkansas and came across a few products that give back from brands we hadn’t heard of before. And we realized that we wished we could find all those do-good brands in one place, and that was really our epiphany.
“A powerful monochromatic image is composed of a gradient of a single color, and has an emphasis on texture and composition. While the images I’ve shared in this post are not entirely monochromatic, they show the power that a simple color palette can have in a photograph”. – WordPress Weekly Photo Challenge Host, Jen Hooks
September 11, 2001. Fourteen years ago today. How long it seems since that fateful terrifying day. How fast time has gone that it seems as if it was just yesterday. The images and feelings of shock, anger, horror, sadness, fear and what ifs will forever be engrained in our minds. The images and emotions are things that we will never be able to forget and will never stop seeing when we close our eyes. The fruitless human lives that were lost. Our freedom imprisoned. Our hearts never the same. Our lives forsaken.
Today, I want to honor the people whose lives were lost on that horrific day and every single day in this cruel world. The people of Syria dying in search for freedom and a better life. The endless murders and shootings of innocent human beings. All lives that are lost, everywhere on this planet due to another human being.
Will there ever be peace? Will the countless mass murders – many happening here in the United States – ever be curtailed? In a world of violence will we ever truly be free?
1 World Trade Center Tower or “The Freedom Tower” is the tallest skyscraper in the Western Hemisphere, in July 2013. She looms directly behind the 9/11 Memorial.
“When we meet real tragedy in life, we can react in two ways – either by losing hope and falling into self-destructive habits, or by using the challenge to find our inner strength”. – Dalai Lama
Each name of a person who died on 9/11 is inscribed along the side of the memorials.
“Stephanie Sinclair has spent the last decade documenting some of the world’s most controversial subjects, from Yemen’s child brides to Texas’s polygamists. But her goal is simple: to record what is in front of her and pass as little judgement as possible”. Her beautiful photographs take us in and make us want to help change the tragic realities we are seeing. Her work also inspires hope that change is possible.
Images of 3 Iconic Prints for Sale from Stephanie Sinclair’s award-winning documentary photography collection. Photo credit: Stephanie Sinclair
Too Young to Wed, a non-profit organization, that employs visual media, photography exhibits and campaigns to educate and engage the global community to demand an end to the practice of child marriage, has launched its first print sale in collaboration with Photoville, New York City’s largest annual photo festival. I have written before about Too Young to Wed in a must-read post after meeting Founder and Executive Director Stephanie Sinclair last fall. Her work on shedding light about the injustices faced by young women and girls is inspiring and has already brought about change. It is nearly impossible to view Sinclair’s stunning photography without being deeply moved and wanting to help change the fate of these girls.
This photo of Ten-year-old Nujoud Ali taken two years after her divorce grace’s National Geographic’s “Women of Vision” cover. Nujoud’s story caused parliament to consider a bill writing a minimum marriage age into law. Photo credit: Stephanie Sinclair
Too Young to Wed: Mission
Every two seconds, a girl is forced into marriage against her will. The younger she is, the more likely a child bride is to experience domestic violence, contract HIV, develop complications from pregnancies or even die during childbirth. Child marriage robs girls of the childhood and the education they deserve, silencing them and preventing them from achieving their fullest potential.
Too Young to Wed’s mission is to protect girls’ rights and end child marriage. We do this by providing visual evidence of the human rights challenges faced by women and girls. Through our storytelling, we generate attention and resources to amplify the voices of these courageous women and girls and inspire the global community to end child marriage. We transform influential advocacy into tangible action on the ground through partnerships with international and local NGOs and by supporting initiatives in the communities where the girls in our stories live.
Sinclair’s work is phenomenal and incredibly moving. Now you can have a limited edition copy of your own and the purchase is for a fabulous cause. Each 8X10 archival print was hand-printed and signed by Ms. Sinclair, whose award-winning work documenting child marriage has been exhibited around the world. Ms. Sinclair’s work will be featured at Photoville at Brooklyn Bridge Park, and like the premiere photo event, which attracted 71,000 visitors last year, and the print sale will run from Sept. 10 – 20, 2015.
Prints can be ordered at tooyoungtowed.org/printsale, and 100 percent of the contributions received from photo sales will directly support TYTW’s mission to protect girls’ rights and end child marriage. Too Young to Wed supports local organizations and persons making a difference in the lives of girls and boys who are affected by the harmful practice of child marriage such as:
The Samburu Girls Foundation, a grassroots organization in rural Kenya, which provides shelter and education to girls rescued from child marriage, female genital mutilation and other harmful practices. practices. To date, the organization has rescued more than 200 girls and placed 125 of them in boarding school.
The women and children of the Kagati Village in Nepal where Ms. Sinclair conducted much of her child marriage reporting in 2007 and an area that was destroyed in the recent earthquakes (child bride, Niruta, 13, is featured as part of this exhibition);
Girl Empowerment Groups – an adolescent girls empowerment initiative designed by the Population Council for vulnerable girls living in rural areas. In this capacity, Too Young To Wed will support the village of Gombat, just outside of Bahir Dar, Ethiopia where Ms. Sinclair first photographed Destaye, who was married at 11 to an Ethiopian Orthodox priest (also part of this exhibition).
Photoville Presentations and Talks:
Sept. 12: Stephanie Sinclair will represent Too Young To Wed in the panel Affecting Policy and Change through Photography from 4-5 PM and will discuss how her work transformed into a nonprofit organization dedicated to ending child marriage.
Sept 17: TYTW will engage students during Photoville’s Education Day, a one-day field trip to the photo village that’s free and open to NYC public schools. Hundreds of middle school and high school students participate in a day of photography and storytelling activities, and they’ll have an opportunity to see how photography can bring about social change.
Sept. 19: Stephanie Sinclair discusses her Too Young to Wed photographs during the event An Evening with National Geographic, from 7-10pm at the Photoville Beer Garden. The evening will begin with photos and videos from the past 127 years—including the most recent stories from National Geographic and their digital platforms. Other photographers included are Katie Orlinsky, Robert Clark and David Guttenfelder with Director of Photography Sarah Leen serving as Master of Ceremonies.
Ways to help end child marriage and support Too Young to Wed:
Over 5,000 children were missing after Hurricane Katrina. It took 7 months for the last child to be reunited with her family. Can you even imagine?
August 29, 2005 was a day that no one along the Gulf Coast will ever forget. Struck by one of the most ferocious, deadliest and costliest naturals disaster ever, New Orleans braced itself as Hurricane Katrina slammed down on the city with brutal force and destruction. As the storm surged and moved inland, multiple levee breaches in greater New Orleans catastrophically failed causing 80% of the city and neighboring parishes to flood.
As the emergency crews set in and tried to clean up the mess that was left behind, another horror materialized. Along with all the flooded and ruined homes, buildings and schools, there were over 1,800 people dead and countless missing. For those who were unable to evacuate the storm and stayed, many families were separated and over 5,000 children were missing. It took seven months to connect the last child with her parents. It was every parent’s worst nightmare and even more tragically, as a nation ten years later we are still not prepared.
2005 Hurricane Katrina, flooding. Photo Credit: Save the Children
Mississippi: Hurricane Katrina Damage. Photo Credit: Save the Children
Storm damage in the Lake View area of New Orleans. Photo Credit: Save the Children
2005 Hurricane Katrina, damage to school library in Pass Christian. Photo Credit: Save the Children
Mississippi: Hurricane Katrina Damage. Photo Credit: Save the Children
A child’s toy lays among the debris of Hurricanne Katrina.Photo Credit: Save the Children
When tragedy and devastation struck, international and national NGOs (nongovernmental organizations) rushed to the scene, some who came and went and others who stayed for the long haul. Save the Children, one of the world’s leading organizations that protects and advocates for children worldwide, has been on the frontline in New Orleans ever since Katrina struck, advocating that as a nation we do more to protect our most vulnerable citizens: Our children.
It was 4:43 in the afternoon on a typical hot and humid January day in Haiti when the first tremor stuck and rattled the ground below Port-au-Prince with relentless terror. Haiti has had its fair share of political, economic and natural disasters in the past yet nothing prepared this poverty-stricken island nation of 10 million people for the destruction and aftermath of the January 10, 2010 7.0 magnitude earthquake.
As the earth shook with violent ferocity and the buildings began to crumble and fall, hundreds of thousands of Haitians were killed and entire communities were flattened. An estimated 1.5 million people were left homeless, and most were in Haiti’s overcrowded capital Port-au-Prince. International aid poured into Haiti along with countless NGOs (non-governmental organizations) who set up emergency services to provide immediate medical treatment, water, food and much-needed shelter.
The “Gingerbread” homes and slums that raise up the mountains behind luxurious Pétionville.
Faced with the urgent needs of providing immediate shelter to the homeless, hundreds of tent communities popped up around the city, some legal and some not. Despite good intentions, many of the tent communities were in deplorable conditions often lacking water and sanitation and safety. Some tents were made from donated plastic tarp while others were more homemade being patched together out of spare linens and plastic sheets. When the floods and unbearable heat came, the situations inside the tent communities become like hell on earth if they weren’t already miserable. Tragically, hardly any humanitarian aid reached some of these communities and families were left to fend for themselves to survive.
As many as 50,000 Haitians slept in this earthquake survivor camp in the Del Mas area in Port-au-Prince, Haiti, Jan. 21, 2010.Photo credit: Fred W. Baker III via Wikimedia Commons
Author’s note: This post is part of a series on my recent trip and climb of Mount Kilimanjaro, to read all posts click here.
Wherever I travel in the world, the one thing that always touches me most is the children of a place. It amazes me that joy, creativity and the desire to be loved is a universal thing that transcends borders, cultures, languages and even circumstances in life. Despite some of the utter hardships some children face – whether it be war, poverty, hunger or disease – I find that kids are still kids no matter what. They all love to play, to learn, to have attention and love, and of course to smile.
Visiting children at either a local school, community-lead program or orphanage has become something I try to do on every trip to the developing world. I have found that even a short time spent playing and interacting with children, even if we can’t speak the same language, does wonders for the soul. There are tons of places in need of volunteers and visitors however finding the right place to visit can be the tricky part. Thankfully the perfect place to visit was just a short walk away from the gates of our hotel in Moshi, Tanzania
Right behind the Springlands hotel lies an entire community of homes. I could smell the smoke from the fires filtering into my hotel room and wondered where it came from.
The Springlands Hotel is the base of Zara Tours, one of the leading trekking and safari outfitters in Moshi and is the company we employed for our climb to Mount Kilimanjaro. Run by Zainab Ansell, Zara Tours has been brining guests on amazing adventures for over two decades and has also given back to the community in which they serve through the Zara Tanzania Charity. Zara Charity works to develop and support vulnerable groups within their community such as porters, Maasai women, and local orphans improving the lives for many.
Like most parts of Sub-Saharan Africa, Tanzania has been ravaged by the HIV/AIDS epidemic that swept across the continent killing an estimated 30 million people from AIDS-related causes since the beginning of the epidemic twenty years ago (UNAID 2010 report). In Tanzania alone, HIV/AIDS has devastated an entire generation leaving a nation of orphans. UNICEF estimates that there are over 3.1 million children in Tanzania living without parents of which an estimated 1.3 million are orphaned due to HIV/AIDS. For many of these children, an orphanage is the only place they have to find food, shelter, education and medical attention.
Papier-mâché = French for “chewed paper”, is a composite material consisting of paper pieces or pulp, sometimes reinforced with textiles, bound with an adhesive, such as glue, starch, or wallpaper paste.
Papier-mâché is an extremely important form of art in Haiti and there is no other place where it is produced in such magnitude as Jacmel. We visited this beautiful seaside town to meet some papier-mâché artisans who supply the colorful papier-mâché vases and serving trays to Macy’s Heart of Haiti program.
Papier-mâché has been made for centuries originating in China, the inventors of paper, back in the Han Dynasty (BC 202 – AD 220) and spreading to Japan, Persia and Egypt and eventually Europe in the mid 17th century. In Haiti, papier-mâché has been made for generations as an important artistic and cultural part of Carnival and other celebrations.
Our group visited the studio of papier-mâché artisan Pierre Satyr where we received a live demonstration of how to make a vase out of papier-mâche by artisan Harry Sylvaince.
The studio of Papier-mâché artisan Pierre Satyr in Jacmel, Haiti
Inside the studio we met Paul Satyr and Harry Sylvaince, two papier-mâché artisans who have been working with Macy’s Heart of Haiti program, a trade not aid program that began after the earthquake to help Haiti’s artisans find a market for their products. Paul “Satyr”, a master painter whose friends call him Satyr, is President of the Jacmel Guild of Artists in Haiti, where he hopes to build a new artisans’ center. Patterns from his collection are inspired by patchwork and made from old rags. When asked about his work, Satyr mused: “We are creating joy from remnants and are sending joy out into the world. We hope that people will smile and feel great happiness when they see and collect our work”.
Before visiting Haiti, I never would have imagined that this tiny island nation has such an amazing artistic culture. The arts have not only survived poverty, earthquakes and other natural and political disasters, they have thrived and persevered just like the Haitian people.
What is the most astounding aspect of Haiti’s art community is the artisans’ unbelievable imagination and creativity to produce art from pretty much anything. Thrown out oil cans became the inspiration for a dynamic metal arts community. Old pieces of newspaper are striped, dyed and used to create papier-mâché masks, vases, floats, and other masterpieces. Even horns and bones from cattle that normally are thrown away, are dried and sanded to make gorgeous jewelry and furniture. The list is endless.
I had never heard of Horn and Bone art until I visited Haiti and met with Haitian Horn and Bone artist Christelle Paul, founder and chief designer at her workshop “Atelier Calla“ in Port-au-Prince. Horn and Bone art began within the walls of Haiti’s prisons in the 1950s. To pass the time, the men in prison enjoyed playing games and they ingeniously discovered they could use old horns and bones to make pieces for card games. The art continued to evolve over the years being passed down from generation to generation.
Photo of Danica Kombol (Everywhere Agency) and Christelle Paul in Haiti.
Christelle has always been passionate about art yet she had pursed a career in banking. One day back in 2006 she was out shopping and noticed that there were a lot of products made out of horn and bone yet none that she really liked. This inspired her to start creating her own horn and bone jewelry based on the designs and ideas she desired. What began as a hobby suddenly grew into a passion. Yet the journey from being a full-time banker to full-time artist was a long one.
Some of Christelle’s beautiful creations.
A series of setbacks such as the 2010 earthquake stopped Christelle from following her dreams yet after a meeting with famous designer Donna Karan, Christelle decided to quit her job and pursue her passion for Bone and Horn art full-time. Her workshop Atelier Calla was opened in October of 2011 and today her team employs 7 artisans within the community who were once unemployed. Her mission is to provide fair wages and work opportunities to help young, unemployed people find a fulfilling, sustainable career in the arts. She is a remarkable woman.
We visited Christelle’s studio to learn more about this unique kind of art and also hear how her studio and workshop have helped other Haitians pursue a career in art and provide for their family.
Artisans at work at Christelle Paul’s studio, Atelier Calla
Besides being known as a beautiful, colonial beachside town, Jacmel is one of the leading producers of papier-mâché in all of Haiti. In fact, this dazzling town of about 40,000 residents is famous for its arts and has dozens of studios and shops where papier-mâché is made, sold and celebrated especially during Haiti’s Carnival.
Our team visited Jacmel to see firsthand how papier-mâché is made and to meet some of the different artisans who sell their art to Macy’s Heart of Haiti program and Artisan Business Network (ABN). ABN is the heart and soul of Macy’s Heart of Haiti program (a “trade not aid” initiative that began after the earthquake to help local Haitian artisans sell their products in the United States). Run by Nathalie Tancrede, an amazing Haitian American woman who left her home in New York after the earthquake to help, ABN works with a variety of Haitian artisans to assist with long-term economic development and training on design, marketing, packaging and exporting so they can expand internationally. ABN has made a huge impact on the artisan community of Haiti which was largely hurt after the earthquake. It was amazing to see some of their incredible work and it just so happened that we were in Jacmel a few days before Carnival.
Founded in 1698 by French colonists, Jacmel has the most creative and yet traditional Carnival in Haiti awash with brilliantly colorful papier-maché masks and marionettes, bands à pieds, and street theatre depictions of politics, religion and pop culture. As we entered town, we could see papier-mâché statues and masks everywhere.
Given Jacmel’s vibrant cultural and artistic scene, it wasn’t a surprise to see art being made en plein air right on the streets. It felt like the entire city was alive and was quite invigorating.
