Croix-des-Bouquets Archives

“Kay koule tronpe soley, men li pa tronpe lapli” – Haitian proverb meaning “A leaky house can fool the sun but it can’t fool the rain”.

No visit to Croix-des-Bouquets is complete without a stop at the studio of world-famous vodou artist and priest, Jean Baptiste Jean Joseph. Jean Baptiste’s Isidor Gallery has been receiving customers from all over the world for years and some of his most impressive pieces sell for thousands of dollars. Yet despite his fame and notoriety, like many of the other highly successful artists of Croix-des-Bouquets Jean Baptiste has decided to stay in Haiti and continue his work and mentorship to other aspiring artists. This is what makes Croix-des-Bouquets so special.

Stepping into the Isidor Gallery feels like stepping into a dream. The scent of incense flavors the air and the walls are filled with a riot of colorful, imaginative vodou flags intricately designed and handcrafted. The lights are low or even off, and the hot, humid heat of Haiti adds to a slightly dizzying effect. To be inside Jean Baptiste’s studio and to see his work, gives one a true sense of Haiti’s rich, intricate culture and religion. It feels like magic.

Jean Baptiste Jean Joseph was born in 1967 in La Vallé Bainet and was raised in Croix-des-Bouquets, a community known for its metal artisans in Port-au-Prince, Haiti. At a young age Jean Baptiste became passionate for folk art and textiles. Following his dream and passion for beadwork, he worked in a small factory where he honed his skills by sewing pearls and beads onto wedding dresses. Then in 1991, thanks to the receipt of a small loan from a friend, Jean Baptiste opened Isidor Gallery in Croix-des-Bouquets.

No trip to Haiti is complete without a visit to Croix-des-Bouquets. Croix-des-Bouquets is a unique artist community on the outskirts of Port-au-Prince that has grown into one of the largest, sustainable metal art communities in Haiti. It all began in the 1950s by a local blacksmith named Georges Liautaud who began using recycled oil drums to create amazing freestanding sculptures of art known as “fer découpé”. Liautaud mentored and inspired many metal artisans within the growing community of Croix-des-Bouquets and although he passed away in 1992, his most celebrated apprentice Serge Jolimeau continues to be a moving force within the community. Known as the godfather of Croix-des-Bouquets, Jolimeau opened up his land to the artisans so they have a place to work for free and learn the trade through apprenticeships.

Today, Croix-des-Bouquets has over 1,000 metal artisans with over 60 different shops and studios creating social change and opportunity within the community. It is a magical, happy place filled with energy and life. Although Jolimeau travels the world with his art, he continues to reside in Croix-des-Bouquets where he supposedly never even bothers to lock his door. It is that kind of close-knit community; a sharp contrast to some of the neighboring slums.

En route from Port-au-Prince we finally reach the famous Croix-des-Bouquet community.

Croix-des-Bouquets is located on the edge of Port-au-Prince in the district of Noailles. You can tell you have arrived in the right place by the non-stop clanking of the hammers on metal. Beautiful handmade metal signs hang outside each workshop and the entire place is alive with the sounds of creativity. I felt like a kid in a candy shop looking at row after row of artwork with each piece being more spectacular than the last. My camera in hand and notebook ready, we began our tour of Croix-des-Bouquets and I was thankful it was not my first visit. Taking it all in for the first time can be quite overwhelming.